Looking For Indian Films At Cannes 2024? Here's The Complete List
At the 77th Cannes Film Festival, India is poised to make a significant impact with seven films selected for screening, highlighting the diversity and richness of Indian cinema on an international platform.
The 77th edition of the Cannes Film Festival, among the most esteemed events in global cinema, is poised to commence on May 14 in the picturesque French Riviera.
This year, India is poised to leave a significant mark on the festival's canvas, with seven Indian films selected for screening across various categories.

India's Diverse Cinema at Cannes
Leading the charge is the Malayalam film 'All We Imagine As Light', directed by Payal Kapadia. This film is especially notable as it will be shown in the festival's main segment, the Palme d'Or, on May 23. It tells the poignant story of two roommates working as nurses, exploring themes of love and self-discovery. This is a milestone moment, as it marks the first Indian film to compete in this category since "Swaham" in 1994.
Another highlight is 'Santosh', a film by British-Indian filmmaker Sandhya Suri, featuring Shahana Goswami. This narrative focuses on a newly widowed woman who takes over her husband's job as a police constable. The movie is set for screening in the Un Certain Regard section, spotlighting unique stories and storytelling techniques.
Short Films and Classics Make Their Mark
The festival will also showcase 'Sunflowers Were The First Ones To Know' a Kannada short film by FTII student Chidanand Naik. This film is selected under the Cinéfondation section, dedicated to cinema schools' works worldwide.
Adding to the list is 'Manthan', a classic starring Smita Patil and Naseeruddin Shah, directed by Shyam Benegal. Released in 1976, this film will be featured in the Cannes Classics selection, celebrating the heritage of global cinema.
Exploring New Narratives
Radhika Apte's 'Sister Midnight', selected under the Directors' Fortnight category, delves into the life of a wife in a slum seeking revenge against oppression. 'In Retreat,' directed by Syed Maisam Ali Shah, depicts a man's return to his roots.
Lastly, 'The Shameless', by Bulgarian director Konstantin Bojanov, takes us on a journey with Rani, an Indian sex worker on a pilgrimage. Both 'In Retreat' and 'The Shameless' are part of the Association for the Distribution of Independent Cinema Section and the Un Certain Regard section, respectively.
This diverse selection of films from India not only highlights the richness of Indian storytelling but also the country's evolving cinematic landscape on the international stage. With stories ranging from personal journeys to social commentary, the Indian contingent at Cannes this year promises to engage, enlighten, and entertain audiences from around the world.












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