Left-liberals' narrative of 'Kantara' is both biased and baseless
Leftists, with their biased approach, conveniently remember scenes that suit their narrative and dub 'Kantara' as a regressive film
New Delhi, Dec 06: Rishab Shetty's movie 'Kantara' has won the hearts of cine-goers across the country and have garnered praises and accolades from audience all around. The movie has been hailed for its story backed by the fantastic performance of the lead stars that has led to wide-spread acceptance across the languages. While the multilingual film has garnered appreciation, left-liberals have called the movie 'regressive' and are busy doing with what they are best at -- nitpicking the content and weaving a baseless narrative around it.
Leftists have targeted 'Kantara' as a misogynistic and regressive film. A few days ago, Anand Gandhi, Tumbbad's creative director, made critical comments about Shetty-starrer and said that it was celebration of toxic masculinity. "Kantara is nothing like Tumbbad. My idea behind Tumbbad was to use the horror as an allegory of toxic masculinity and parochialism. Kantara is a celebration of these," he tweeted.
Is
'Kantara'
really
regressive?
There
were
some
who
raised
objection
to
the
scene
where
the
hero
pushes
the
heroine
away
when
she
is
trying
to
calm
him
down.
Ironically,
while
the
naysayers
saw
how
Shiva
lost
his
cool,
they
forgot
to
mention
or
remember
the
very
next
shot
that
showed
his
mother's
disapproval.
She
said,
"How
dare
you
beat
up
a
girl?
This
was
the
last
thing
I
expected
from
you."
Her
words
clearly
meant
that
the
protagonist
had
displayed
such
behaviour
for
the
first
time
and
even
she
as
his
mother
would
not
accept
such
an
attitude
from
him
towards
women.
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Leela
was
progressive:
The
villagers
were
not
educated
but
Leela
was
literate.
She
studied
hard
and
managed
to
get
a
government
job
though
through
the
influence
of
the
local
landlord.
Her
father
did
not
raise
objection
to
his
daughter's
wish
to
study
and
work
which
was
a
clear
sign
of
progress.
That
too
given
the
fact
that
the
story
was
set
in
the
80s
and
90s.
Despite
being
tribals,
he
let
her
daughter
follow
her
dreams.
Moreover, Leela was a strong woman. On the first day of her duty, she had to take on her own people and face humiliation from her superior for getting job through recommendation. Such harassment continued. Yet she did not sulk and quit the job even as her tribe was against her decision to continue with the job. At one stage, she makes Shiva realise the tough situation she was in - to stand by her villagers and be with the forest department.
An
atheist,
but
not
a
villain
Another
key
character
in
the
movie
was
Muralidhar,
a
Deputy
Range
Forest
Officer
played
by
Kishore.
He
was
an
atheist,
who
had
problems
with
the
villagers'
way
of
'Daivaradhane'.
Usually
such
characters
are
stereotyped
as
villains,
but
in
this
case
it
was
different.
Although
he
had
issues
with
the
villagers,
he
stood
by
them
when
they
needed
them
the
most.
He admits in the pre-climax scene that if he lends ear he might hear the "demigod speak". He acknowledges that their beliefs may differ but admits that they "are part of the same existence." The concept clearly highlighted the true identity of our dharma where we can be Hindu, yet be an atheist.
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The character of the Muslims taking part in the 'Daivaradhae' and losing lives for the villagers cause clearly has a message in itself for the society, which, unfortunately, has been ignored by the so-called progressive thinkers.
The criticism against Shiva's creepy behaviour is rubbish because they (hero and heroine) have been attracted to each other since childhood. The fact that what they shared was with mutual consent and that he did not cross any lines of decency with other women and only with his lover and with her consent clearly holds mirror to his character.
Also, the comments about the movie glorifying toxic masculinity sounds funny as the content should be consumed as a whole. The story was set in 90s and in a rural milieu. How do we expect the characters to behave like men of new millennium? Instead of nitpicking, critics should understand the progressive value that the movie projects in total but for such an unbiased and honest review, they would first need to watch the movie without an opinion and watch it in whole before they try to shred it to pieces.